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Chicana/o RemixArt and Errata Since the Sixties$
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Karen Mary Davalos

Print publication date: 2017

Print ISBN-13: 9781479877966

Published to NYU Press Scholarship Online: January 2018

DOI: 10.18574/nyu/9781479877966.001.0001

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PRINTED FROM NYU Press SCHOLARSHIP ONLINE (www.nyu.universitypressscholarship.com). (c) Copyright University of NYU Press Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NYSO for personal use.date: 20 October 2019

Tours of Influence

Tours of Influence

Chicana/o Artists in Europe and Asia

Chapter:
(p.97) 4 Tours of Influence
Source:
Chicana/o Remix
Author(s):

Karen Mary Davalos

Publisher:
NYU Press
DOI:10.18574/nyu/9781479877966.003.0004

This chapter documents the influence of Europe and Asia on Chicana/o artists who traveled abroad. It examines the travels of eleven artists and finds that their international journeys influenced their style, composition, and use of color. Europe also taught some artists, such as David Botello and Leo Limón, to invest in public art and art for the people before this orientation was articulated as a platform of the Chicano movement. By taking up a topic long dismissed by scholars, critics, and curators, the chapter offers new insights about Chicana/o art and proposes new methodologies that reject the essentialist tendencies of normative art history and other disciplines that prescribe and presume the biographies of artists of color. The chapter closes with a discussion of the politics of visibility and the challenge of tracing the influence of European aesthetic traditions on marginalized artists without reinforcing the myth of assimilation.

Keywords:   aesthetic influence, European aesthetic tradition, European Grand Tour, assimilationist, visibility, decolonial methods, David Botello, John Valadez, Linda Vallejo

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