Introduction
Introduction
Reframing Chicana/o Art
This chapter introduces how the vernacular concept of the remix exposes and challenges conventions of Chicana/o art discourse that erase the variety of styles, methods, and approaches employed by artists since the height of the Chicano movement. Using the work of artist Sandra de la Loza as a methodology for remixing, the chapter interrogates the dichotomous lens and categories for art and artists that have functioned to render Chicana/o art invisible or improbable. It proposes that the decolonial methods of Anzaldúan theory, such as borderlands and mestiza consciousness, best illuminate the complexity of Chicana/o art and artists in Los Angeles, an ideal site for a capacious analysis of Chicana/o artists, exhibitions, collectors, curators, and institutions.
Keywords: remix, borderlands theory, art discourse, decolonial methods, Anzaldúan theory, mestiza consciousness, Los Angeles, revisionist, erasure, visibility
NYU Press Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.