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Unclean LipsObscenity, Jews, and American Culture$
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Josh Lambert

Print publication date: 2013

Print ISBN-13: 9781479876433

Published to NYU Press Scholarship Online: March 2016

DOI: 10.18574/nyu/9781479876433.001.0001

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PRINTED FROM NYU Press SCHOLARSHIP ONLINE (www.nyu.universitypressscholarship.com). (c) Copyright University of NYU Press Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NYSO for personal use.date: 23 September 2021

Seductive Modesty

Seductive Modesty

Censorship versus Yiddish and Orthodox Tsnies

(p.141) 4 Seductive Modesty
Unclean Lips

Josh Lambert

NYU Press

This chapter puts forth a term for characterizing and analyzing suppressions of sexual representation in literature and culture. The term is the same one that Yiddish literary critics typically used to describe the regulation of sexual expression in their cultural field: modesty (in Yiddish, tsnies and, in Hebrew, tzniut). Using modesty as a frame for reading the regulation of sexual expression in America, it is argued that American Yiddish literary modernism, which was virtually never subject to government intervention, presaged the situation of American literature in English after Memoirs v. Massachusetts (1966), which established broad First Amendment protections for literature. The chapter also offers a comparative study of two related modesty discourses—early 20th-century Yiddish literary modesty and late 20th-century American cultural modesty as it was rooted in the sources of Orthodox Judaism. It demonstrates that modesty discourses follow from and reflect the diasporization of culture, the uncoupling of cultural production from both the constraints and the opportunities of legal control and state support.

Keywords:   American Jews, sexual representation, sexual expression, American Yiddish literary modernism, modesty, Orthodox Judaism, diaspora

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