Jump to ContentJump to Main Navigation
Art of ConfessionThe Performance of Self from Robert Lowell to Reality TV$
Users without a subscription are not able to see the full content.

Christopher Grobe

Print publication date: 2017

Print ISBN-13: 9781479829170

Published to NYU Press Scholarship Online: September 2018

DOI: 10.18574/nyu/9781479829170.001.0001

Show Summary Details
Page of

PRINTED FROM NYU Press SCHOLARSHIP ONLINE (www.nyu.universitypressscholarship.com). (c) Copyright University of NYU Press Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NYSO for personal use.date: 02 March 2021

Coda

Coda

Confession in the Age of Aggregation

Chapter:
(p.229) Coda
Source:
Art of Confession
Author(s):

Christopher Grobe

Publisher:
NYU Press
DOI:10.18574/nyu/9781479829170.003.0010

Social media platforms have made confessional speech both ubiquitous and mundane. What, you might ask, is the value of a solo voice amid all this aggregated clamor? This coda begins by comparing several examples of new media art, all of which take others’ social media output as the raw material for art: Jonathan Harris and Sep Kamvar’s data-visualization site We Feel Fine (2005), Penelope Umbrico’s Suns from Sunsets from Flickr (2006–present), and Natalie Bookchin’s Testament (2009–present). All of these projects use social media to think through contemporary relations between the individual and the social or political. And so I end by considering what they might have to tell us about confessional politics as they’re practiced in the age of social media: e.g., Occupy Wall Street’s “We are the 99%” meme, the “mattress protests” against campus sexual assault started by Emma Sulkowicz of Columbia University, and a public forum held at Amherst College during the antiracist Uprising of 2015. All of these protests began as local acts, but then reached the world via the Internet. What happens when confessions like these travel through channels that have made confession so mundane?

Keywords:   social media, new media art, campus activism, political protest, Penelope Umbrico, Natalie Bookchin

NYU Press Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.