General Editors: Jonathan Gray, Aswin Punathambekar, Adrienne Shaw
Founding Editors: Sarah Banet-Weiser and Kent A. Ono
Dangerous Curves: Latina Bodies in the Media Isabel Molina-Guzmán
The Net Effect: Romanticism, Capitalism, and the Internet Thomas Streeter
Our Biometric Future: Facial Recognition Technology and the Culture of Surveillance Kelly A. Gates
Critical Rhetorics of Race Edited by Michael G. Lacy and Kent A. Ono
Circuits of Visibility: Gender and Transnational Media Cultures Edited by Radha S. Hegde
Commodity Activism: Cultural Resistance in Neoliberal Times Edited by Roopali Mukherjee and Sarah Banet-Weiser
Arabs and Muslims in the Media: Race and Representation after 9/11 Evelyn Alsultany
Visualizing Atrocity: Arendt, Evil, and the Optics of Thoughtlessness Valerie Hartouni
The Makeover: Reality Television and Reflexive Audiences Katherine Sender Authentic™: The Politics of Ambivalence in a Brand Culture Sarah Banet-Weiser
Technomobility in China: Young Migrant Women and Mobile Phones Cara Wallis
Love and Money: Queers, Class, and Cultural Production Lisa Henderson
Cached: Decoding the Internet in Global Popular Culture Stephanie Ricker Schulte
Black Television Travels: African American Media around the Globe Timothy Havens
Citizenship Excess: Latino/as, Media, and the Nation Hector Amaya
The Post-Racial Mystique: Media and Race in the Twenty-First Century Catherine R. Squires
Making Media Work: Cultures of Management in the Entertainment Industries Edited by Derek Johnson, Derek Kompare, and Avi Santo
Sounds of Belonging: U.S. Spanish-Language Radio and Public Advocacy Dolores Inés Casillas
Orienting Hollywood: A Century of Film Culture between Los Angeles and Bombay Nitin Govil
Asian American Media Activism: Fighting for Cultural Citizenship Lori Kido Lopez
Struggling For Ordinary: Media and Transgender Belonging in Everyday Life Andre Cavalcante
Wife, Inc.: The Business of Marriage in the Twenty-First Century Suzanne Leonard
Homegrown: Identity and Difference in the American War on Terror Piotr Szpunar
Dot-Com Design: The Rise of a Useable, Social, Commercial Web Megan Sapnar Ankerson
Postracial Resistance: Black Women, Media, and the Uses of Strategic Ambiguity Ralina L. Joseph
Netflix Nations: The Geography of Digital Distribution Ramon Lobato
The Identity Trade: Selling Privacy and Reputation Online Nora A. Draper
Media & Celebrity: An Introduction to Fame Susan J. Douglas and Andrea McDonnell
Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry Suzanne Scott
Locked Out: Regional Restrictions in Digital Entertainment Culture Evan Elkins
The Digital City: Media and the Social Production of Place Germaine R. Halegoua
NEW YORK UNIVERSITY PRESS
- (p.vi) NEW YORK UNIVERSITY PRESS
- New York
- © 2020 by New York University
- This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 license (CC BY-NC-ND 4.0). To view a copy of the license, visit https://creativecommons.org/licenses/by-nc-nd/4.0.
- References to internet websites (URLs) were accurate at the time of writing. Neither the author nor New York University Press is responsible for URLs that may have expired or changed since the manuscript was prepared.
- Library of Congress Cataloging-in-Publication Data
- Names: Brock, André L., Jr., author.
- Title: Distributed blackness : African American cybercultures / André Brock, Jr.
- Description: New York : New York University Press,  | Series: Critical cultural
- communication | Includes bibliographical references and index.
- Identifiers: LCCN 2019012037 | ISBN 9781479820375 (cloth ; alk. paper) | ISBN
- 9781479829965 (paperback ; alk. paper)
- Subjects: LCSH: African Americans—Communication. | African Americans and
- mass media. | African Americans—Intellectual life—21st century. | Internet—Social
- aspects—United States. | Online social networks—United States.
- Classification: LCC P94.5.A37 .B76 2019 | DDC 302.23089/96073—dc23
- LC record available at https://lccn.loc.gov/2019012037
- New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. We strive to use environmentally responsible suppliers and materials to the greatest extent possible in publishing our books.
- Manufactured in the United States of America
- 10 9 8 7 6 5 4 3 2 1
- Also available as an e-book