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A Taste For Brown BodiesGay Modernity and Cosmopolitan Desire$
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Hiram Perez

Print publication date: 2007

Print ISBN-13: 9781479818655

Published to NYU Press Scholarship Online: May 2016

DOI: 10.18574/nyu/9781479818655.001.0001

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Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
A Taste For Brown Bodies
Author(s):

Hiram Pérez

Publisher:
NYU Press
DOI:10.18574/nyu/9781479818655.003.0001

Rather than imagining the late Victorian invention of homosexuality as a moment of singular and absolute abjection, the introduction posits the homosexual as a modern agent of neocolonial expansion (the geographies of which are redefined by new visual and information technologies), instrumental both to modern nation-building and transnational flows of capital. A range of mobilities, transformed or generated by industrialization (i.e. class privilege, whiteness, transportation technology, mass media, tourism) and eventually post-industrial society (i.e. communications and information technologies), provide conditions for a cosmopolitan gay male subject. The introduction traces the foundations of gay modernity to gay cosmopolitanism, including the queer, proletarian cosmopolitanism of sailors, soldiers, and cowboys, interrogating how these three figures were deployed to sustain and expand U.S. empire. It is crucial to recover these unexpected routes of queer cosmopolitanism in order to appreciate the links between gay modernity and imperialism.

Keywords:   cowboy, cosmopolitanism, gay modernity, homosexual, neocolonial, queer, sailor, soldier, whiteness

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