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Picture FreedomRemaking Black Visuality in the Early Nineteenth Century$
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Jasmine Nichole Cobb

Print publication date: 2015

Print ISBN-13: 9781479817221

Published to NYU Press Scholarship Online: March 2016

DOI: 10.18574/nyu/9781479817221.001.0001

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PRINTED FROM NYU Press SCHOLARSHIP ONLINE (www.nyu.universitypressscholarship.com). (c) Copyright University of NYU Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NYSO for personal use.date: 29 June 2022

Introduction

Introduction

Parlor Fantasies, Parlor Nightmares

Chapter:
(p.1) Introduction
Source:
Picture Freedom
Author(s):

Jasmine Nichole Cobb

Publisher:
NYU Press
DOI:10.18574/nyu/9781479817221.003.0007

This book explores how Black people appearing in early daguerreotypes reimagined and reconstructed Black visuality removed from the cultural logics of slavery. It explains how the daguerreotype became a means to create distance between freedom and slavery's mediation of Blackness, and as tools of “critical black memory.” It analyzes modes of picturing Black freedom before the Civil War and before the daguerreotype to trace its emergence in the transatlantic imaginary. It shows how picturing freedom before the advent of photographic technologies reorganized Black visuality, repositioning Black people within the conceptual space of the Atlantic world. It also discusses efforts to imagine both Black men and Black women as free in the context of slavery, with particular emphasis on “the black female body and the gaze.” Finally, it locates diverse conceptions of Black freedom in the transatlantic parlor as a place for dissimilar groups of people and cultural producers to convene around visions of Blackness separated from slavery.

Keywords:   daguerreotypes, Black visuality, slavery, Blackness, Black freedom, Atlantic world, Black men, Black women, black female body, transatlantic parlor

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