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Brown Boys and Rice QueensSpellbinding Performance in the Asias$
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Eng-Beng Lim

Print publication date: 2013

Print ISBN-13: 9780814760895

Published to NYU Press Scholarship Online: March 2016

DOI: 10.18574/nyu/9780814760895.001.0001

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Conclusion

Conclusion

Toward a Minor-Native Epistemology in Transcolonial Borderzones

Chapter:
(p.167) Conclusion
Source:
Brown Boys and Rice Queens
Author(s):

Eng-Beng Lim

Publisher:
NYU Press
DOI:10.18574/nyu/9780814760895.003.0005

This concluding chapter demonstrates an exemplary case of transcolonial performance by reconstructing Woon Ping's Details Cannot Body Wants, a Peranakan (Straits Chinese) Asian/American solo woman show. By deviating from the conventional hetero-orientalist scenario by setting the brown woman next to other minor scenarios in native and ethnic studies, as well as postcolonial and queer studies, the transcolonial paradigm of tradition results in an alternative set of analytics for the Asian boy and Asian woman. It suggests that the “jumps” of Asian/America, Native America, and Southeast Asia, in the Asias can potentially exceed even the dyads examined in the study throughout the book.

Keywords:   Woon Ping, Peranakan, transcolonial performance, ethnic studies, transcolonial paradigm, dyads

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