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Brown Boys and Rice QueensSpellbinding Performance in the Asias$
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Eng-Beng Lim

Print publication date: 2013

Print ISBN-13: 9780814760895

Published to NYU Press Scholarship Online: March 2016

DOI: 10.18574/nyu/9780814760895.001.0001

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PRINTED FROM NYU Press SCHOLARSHIP ONLINE (www.nyu.universitypressscholarship.com). (c) Copyright University of NYU Press Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NYSO for personal use.date: 23 October 2019

Introduction

Introduction

Tropic Spells, Performance, and the Native Boy

Chapter:
(p.1) Introduction
Source:
Brown Boys and Rice Queens
Author(s):

Eng-Beng Lim

Publisher:
NYU Press
DOI:10.18574/nyu/9780814760895.003.0001

This introductory chapter demonstrates that while orientalist dyadic formations are chronic and persistent in twentieth- and twenty-first-century intercultural encounters, queer couplings such as the white man/native boy remain under the critical radar in spite of their prevalence. The book addresses this case, and performs a comparative study of queer coupling on three circum-Pacific performance sites—Bali, Singapore, and the United States—as a primary object of performance history and analysis. This dyad commensurate visibility in critical studies of performance, theater, and culture, whether as a queer episteme or a colonial one—or both—intertwined throughout the encounter. In addition, an understanding of Asian encounters in a colonial-transnational frame lacks central substance by disregarding the account of queer couplings.

Keywords:   orientalist dyadic formations, intercultural encounters, queer couplings, queer episteme

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