Queer Times, Black Futures
Kara Keeling
Abstract
Contestations over “the future” and “futurity” have been central to formulations of time throughout the twentieth century and into the twenty-first. Queer Times, Black Futures considers the implications of scholarly, artistic, and popular investments in the promises and pitfalls of imagination, technology, futurity, and liberation that have persisted in Euro-American culture. Of specific interest are those Afrofuturist cultural forms and logics through which creative engagements with Black existence, technology, space, and time might be accessed and analyzed.Punctuated throughout by meditation ... More
Contestations over “the future” and “futurity” have been central to formulations of time throughout the twentieth century and into the twenty-first. Queer Times, Black Futures considers the implications of scholarly, artistic, and popular investments in the promises and pitfalls of imagination, technology, futurity, and liberation that have persisted in Euro-American culture. Of specific interest are those Afrofuturist cultural forms and logics through which creative engagements with Black existence, technology, space, and time might be accessed and analyzed.Punctuated throughout by meditations on Herman Melville’s story “Bartleby the Scrivener,”his project thinks with and through a vibrant concept of the imagination as a way to open onto perceptions of queer times and black futures, and of the spatial politics that might be associated with them.
Keywords:
temporality,
queer,
black,
Afrofuturism,
speculation,
racial capitalism,
technology,
digital media,
film,
the imagination
Bibliographic Information
Print publication date: 2019 |
Print ISBN-13: 9780814748329 |
Published to NYU Press Scholarship Online: January 2020 |
DOI:10.18574/nyu/9780814748329.001.0001 |