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Circuits of VisibilityGender and Transnational Media Cultures$
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Radha S. Hegde

Print publication date: 2011

Print ISBN-13: 9780814737309

Published to NYU Press Scholarship Online: March 2016

DOI: 10.18574/nyu/9780814737309.001.0001

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PRINTED FROM NYU Press SCHOLARSHIP ONLINE (www.nyu.universitypressscholarship.com). (c) Copyright University of NYU Press Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NYSO for personal use.date: 21 October 2019

Digital Cosmopolitanisms

Digital Cosmopolitanisms

The Gendered Visual Culture of Human Rights Activism

Chapter:
(p.231) 13 Digital Cosmopolitanisms
Source:
Circuits of Visibility
Author(s):

Sujata Moorti

Publisher:
NYU Press
DOI:10.18574/nyu/9780814737309.003.0013

This chapter explores how visual documentation of civil crises in the Global South reinscribe a digital colonialism, focusing on the representations of gender and sexuality in videos about the Oaxaca teachers' strike of 2006 and the Myanmar protests of 2007. In the first decade of the twenty-first century, the Internet has become the preeminent medium from which international human rights campaigns have been publicized. Indeed, many human rights organizations now consider the Internet as the primary venue for exposing human rights abuses and mobilizing public opinion against them. Digital media generate among viewers the capacity for flexible attachments to more than one community. They facilitate a cosmopolitanism that asserts and abstracts “universalism” and a form of activism, which corresponds with key principles of neoliberal capitalism.

Keywords:   digital colonialism, Oaxaca teachers' strike, Myanmar protests, human rights campaigns, human rights organizations, digital media, cosmopolitanism, universalism, activism, neoliberal capitalism

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