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Black Television TravelsAfrican American Media around the Globe$
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Timothy Havens

Print publication date: 2013

Print ISBN-13: 9780814737200

Published to NYU Press Scholarship Online: March 2016

DOI: 10.18574/nyu/9780814737200.001.0001

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PRINTED FROM NYU Press SCHOLARSHIP ONLINE (www.nyu.universitypressscholarship.com). (c) Copyright University of NYU Press Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NYSO for personal use.date: 15 October 2019

The Worldwide Circulation of Contemporary African American Television

The Worldwide Circulation of Contemporary African American Television

Chapter:
(p.119) 5 The Worldwide Circulation of Contemporary African American Television
Source:
Black Television Travels
Author(s):

Timothy Havens

Publisher:
NYU Press
DOI:10.18574/nyu/9780814737200.003.0006

This chapter focuses on the international circulation of the newer forms of African American television, particularly, how different network organizations and audience configurations create opportunities for new kinds of African American television flows. The priorities of premium cable channels, general entertainment broadcasters, and comedy channels abroad, combined with industry lore about “edgy” and “quality” programming, lead to a heavy reliance on black masculinity, heteronormativity, crime, violence, and frequent use of the word “nigger” in contemporary series. These similar aesthetic choices tend to dominate web-based television series as well, largely because online producers often strive to have their programs noticed by more traditional television outlets. The chapter looks at how series creators navigate these institutional expectations of what African American television should include in order to get their shows on air.

Keywords:   African American television, cable channels, black masculinity, heteronormativity, nigger, web-based television series

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