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Byrd, S. (2015-06-19). The “Collective Circle”: Music and Ambivalent Politics in Charlotte. In The Sounds of Latinidad: Immigrants Making Music and Creating Culture in a Southern City. : NYU Press. Retrieved 6 Jul. 2022, from https://nyu.universitypressscholarship.com/view/10.18574/nyu/9781479859405.001.0001/upso-9781479859405-chapter-006.

Byrd, Samuel K. "The “Collective Circle”: Music and Ambivalent Politics in Charlotte." The Sounds of Latinidad: Immigrants Making Music and Creating Culture in a Southern City. : NYU Press,  24. NYU Press Scholarship Online. Date Accessed 6 Jul. 2022 <https://nyu.universitypressscholarship.com/view/10.18574/nyu/9781479859405.001.0001/upso-9781479859405-chapter-006>.

Byrd, Samuel K. "The “Collective Circle”: Music and Ambivalent Politics in Charlotte." In The Sounds of Latinidad: Immigrants Making Music and Creating Culture in a Southern City. NYU Press, 2015. NYU Press Scholarship Online, 2016. doi: 10.18574/nyu/9781479859405.003.0006.

Byrd SK. The “Collective Circle”: Music and Ambivalent Politics in Charlotte. In: The Sounds of Latinidad: Immigrants Making Music and Creating Culture in a Southern City. NYU Press; 2015. https://nyu.universitypressscholarship.com/view/10.18574/nyu/9781479859405.001.0001/upso-9781479859405-chapter-006. Accessed July 6, 2022.