Evan Elkins
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9781479830572
- eISBN:
- 9781479802265
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479830572.001.0001
- Subject:
- Society and Culture, Technology and Society
“This content is not available in your country.” Media consumers around the world regularly run into this reminder of geography’s imprint on digital culture. Despite utopian hopes of a borderless ...
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“This content is not available in your country.” Media consumers around the world regularly run into this reminder of geography’s imprint on digital culture. Despite utopian hopes of a borderless digital society in an era of globalization, DVDs, video games, and streaming platforms include digital rights management mechanisms like region codes and IP address detection systems that block media access within certain territories. Although propped up by national and transnational intellectual property regulation, these technologies of “regional lockout” are designed primarily to keep the entertainment industries’ global markets distinct. Beyond this, they frustrate consumers around the world and place certain territories on a hierarchy of global media access. Drawing on extensive research of media-industry strategies, consumer and retailer practices, and media regulation, Locked Out explores regional lockout in DVDs, console video games, and streaming video and music platforms. The book argues that regional lockout has shaped global media culture over the past few decades in three interrelated ways: as technological regulation, media distribution, and geocultural discrimination. As a form of digital rights management, regional lockout builds in limitations on the affordances of digital software and hardware. As distribution, it seeks to ensure that digital technologies accommodate media industries’ traditional segmentation of markets. Finally, as a cultural system, regional lockout shapes and reflects long-standing global hierarchies of power and discrimination.Less
“This content is not available in your country.” Media consumers around the world regularly run into this reminder of geography’s imprint on digital culture. Despite utopian hopes of a borderless digital society in an era of globalization, DVDs, video games, and streaming platforms include digital rights management mechanisms like region codes and IP address detection systems that block media access within certain territories. Although propped up by national and transnational intellectual property regulation, these technologies of “regional lockout” are designed primarily to keep the entertainment industries’ global markets distinct. Beyond this, they frustrate consumers around the world and place certain territories on a hierarchy of global media access. Drawing on extensive research of media-industry strategies, consumer and retailer practices, and media regulation, Locked Out explores regional lockout in DVDs, console video games, and streaming video and music platforms. The book argues that regional lockout has shaped global media culture over the past few decades in three interrelated ways: as technological regulation, media distribution, and geocultural discrimination. As a form of digital rights management, regional lockout builds in limitations on the affordances of digital software and hardware. As distribution, it seeks to ensure that digital technologies accommodate media industries’ traditional segmentation of markets. Finally, as a cultural system, regional lockout shapes and reflects long-standing global hierarchies of power and discrimination.
Sun-ha Hong
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9781479860234
- eISBN:
- 9781479855759
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479860234.001.0001
- Subject:
- Society and Culture, Technology and Society
What counts as knowledge in the age of big data and smart machines? Technologies of datafication renew the long modern promise of turning bodies into facts. They seek to take human intentions, ...
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What counts as knowledge in the age of big data and smart machines? Technologies of datafication renew the long modern promise of turning bodies into facts. They seek to take human intentions, emotions, and behavior and to turn these messy realities into discrete and stable truths. But in pursuing better knowledge, technology is reshaping in its image what counts as knowledge. The push for algorithmic certainty sets loose an expansive array of incomplete archives, speculative judgments, and simulated futures. Too often, data generates speculation as much as it does information. Technologies of Speculation traces this twisted symbiosis of knowledge and uncertainty in emerging state and self-surveillance technologies. It tells the story of vast dragnet systems constructed to predict the next terrorist and of how familiar forms of prejudice seep into the data by the back door. In software placeholders, such as “Mohammed Badguy,” the fantasy of pure data collides with the old specter of national purity. It shows how smart machines for ubiquitous, automated self-tracking, manufacturing knowledge, paradoxically lie beyond the human senses. This data is increasingly being taken up by employers, insurers, and courts of law, creating imperfect proxies through which my truth can be overruled. This book argues that as datafication transforms what counts as knowledge, it is dismantling the long-standing link between knowledge and human reason, rational publics, and free individuals. If data promises objective knowledge, then we must ask in return, Knowledge by and for whom; enabling what forms of life for the human subject?Less
What counts as knowledge in the age of big data and smart machines? Technologies of datafication renew the long modern promise of turning bodies into facts. They seek to take human intentions, emotions, and behavior and to turn these messy realities into discrete and stable truths. But in pursuing better knowledge, technology is reshaping in its image what counts as knowledge. The push for algorithmic certainty sets loose an expansive array of incomplete archives, speculative judgments, and simulated futures. Too often, data generates speculation as much as it does information. Technologies of Speculation traces this twisted symbiosis of knowledge and uncertainty in emerging state and self-surveillance technologies. It tells the story of vast dragnet systems constructed to predict the next terrorist and of how familiar forms of prejudice seep into the data by the back door. In software placeholders, such as “Mohammed Badguy,” the fantasy of pure data collides with the old specter of national purity. It shows how smart machines for ubiquitous, automated self-tracking, manufacturing knowledge, paradoxically lie beyond the human senses. This data is increasingly being taken up by employers, insurers, and courts of law, creating imperfect proxies through which my truth can be overruled. This book argues that as datafication transforms what counts as knowledge, it is dismantling the long-standing link between knowledge and human reason, rational publics, and free individuals. If data promises objective knowledge, then we must ask in return, Knowledge by and for whom; enabling what forms of life for the human subject?