Jump to ContentJump to Main Navigation
The Sounds of LatinidadImmigrants Making Music and Creating Culture in a Southern City$
Users without a subscription are not able to see the full content.

Samuel K. Byrd

Print publication date: 2015

Print ISBN-13: 9781479859405

Published to NYU Press Scholarship Online: March 2016

DOI: 10.18574/nyu/9781479859405.001.0001

Show Summary Details

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
The Sounds of Latinidad
Author(s):

Samuel K. Byrd

Publisher:
NYU Press
DOI:10.18574/nyu/9781479859405.003.0001

This introductory chapter provides the background of study of Latina/o musicians in Charlotte, North Carolina. These musicians and their audiences play a vital role in defining Latino expressive culture. Moreover, their lives also reveal issues of politics, labor, community, class, division, and belonging that have become central to a globalizing region and city that are struggling to decide how wide the circle of “We” should be. In particular, the theme of el sueño gris (the gray dream) described the trajectory of the dreams and aspirations of Latino immigrants to the U.S. South. Examples of this graying dream appeared in personal narratives of Latino musicians during informal conversations and recorded interviews throughout the fieldwork process.

Keywords:   el sueño gris, the gray dream, Latino musicians, Charlotte, North Carolina, Latino immigrants, Latino expressive culture

NYU Press Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.