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Creativity without LawChallenging the Assumptions of Intellectual Property$
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Kate Darling and Aaron Perzanowski

Print publication date: 2017

Print ISBN-13: 9781479841936

Published to NYU Press Scholarship Online: September 2017

DOI: 10.18574/nyu/9781479841936.001.0001

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Nollywood

Nollywood

Pirates and Nigerian Cinema

Chapter:
(p.228) 9 Nollywood
Source:
Creativity without Law
Author(s):

Olufunmilayo B. Arewa

Publisher:
NYU Press
DOI:10.18574/nyu/9781479841936.003.0010

Nollywood, the Nigerian film industry, is the top producer of digital video films in the world. Funmi Arewa argues that Nigeria is an unlikely locale for the development of a major film industry given its lack of robust intellectual property enforcement. She demonstrates how Nollywood constitutes a natural experiment for creativity in the relative absence of IP protection, in which the intertwined actions of creators, entrepreneurs, and infringers all contribute to the market’s growth. Because the viral spread of Nollywood films has been a key element of success, content producers can adopt business strategies that actually harness copyright infringement by monetizing wide-reaching distribution networks.

Keywords:   intellectual property, Nigeria, economics, creativity, copyright, nollywood, film, incentives, content industries, piracy

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